Smart Speaker Modes
StageSource L2t powered loudspeakers use massive DSP and huge power to deliver studio-quality live sound at every gig. Using six powerful DSP-based Smart Speaker modes, you can optimize the speaker's output for a variety of performance scenarios including front-of-house PA, floor monitor, personal PA, keyboard backline, acoustic guitar backline, or with a multi-effects guitar processor as a high-performance electric guitar speaker system. An onboard accelerometer and pole-mount sensors automatically detect the speaker's orientation and set the Smart Speaker mode accordingly.
Integrated Multi-Channel Mixer with Effects
The L2t can function as a self-contained live sound solution. With a full-featured onboard mixer including multiple inputs for microphones, instruments, external mixers and MP3 players, L2t delivers all of the tools you need for great live sound.
Fast Networking via L6 LINK
In live sound situations where two or more speakers are needed, StageSource products use a proprietary digital networking protocol called L6 LINK to simplify setup. Loudspeakers will automatically self-configure, pan stereo signals, adjust Smart Speaker modes and perform system-wide optimization. Add StageSource L3s subwoofers to the mix and the system automatically sends them the summed signals and sets the crossovers. When combined, Line 6 live sound products form an intelligent ecosystem that sets up faster and helps you sound your best.
Designed to Be Different
The 800-watt, two-way, bi-amped speaker system and tour-grade plywood enclosure combine to deliver great power and reliability. The innovative multi-function design makes StageSource L2t perfect for a wide variety of applications-stacked on the floor or stage, pole-mounted, positioned horizontally as a floor monitor, used as instrument backline with Virtual Tilt-back, or flown with the integrated M10 suspension points.
Orientation and Pole-mount Sensors
StageSource L2t uses an internal accelerometer, optical sensors and DSP to accelerate setup and optimize the sound of your system. Based on the information the system detects, it selects the right Smart Speaker mode for the application, and automatically adjusts its performance.
Integrated Feedback Suppression
Since feedback can ruin a performance, StageSource L2t uses intelligent 12-band feedback suppression to identify the problem frequencies and adjust levels without affecting the overall sound.
L2t feedback suppression continuously analyzes the audio signal, identifying frequencies that have the characteristics of feedback (steady frequencies with few overtones, rising in amplitude) and then applies a narrow notch filter to remove the offending frequency. L2t feedback suppression can remove up to 12 independent feedback frequencies. You can set the feedback analyzer to one of three modes, depending on how aggressively the analyzer will seek out potential feedback frequencies.
Multi-function Design and Scalability
Multi-function design combined with powerful Smart Speaker modes and digital networking provides true scalability whether you're using a single L2t as a standalone PA or multiple L2t and L2m speakers as main PA, monitors and backline. Add StageSource L3t/L3m loudspeakers and L3s subwoofers to customize a configuration that meets your live sound or installation needs.
Road-ready Construction
StageSource L2t is ready for whatever the road can throw at it. The robust enclosure is constructed of heavy-duty plywood and a tour-grade steel grille with protective screen backing that protects the drivers from impact damage.
Smart Speaker Modes for great live sound in any live sound situation
Multi-channel mixer with 3-band EQ, Smart Effects and acoustic guitar modeling
Multi-function design for true scalability
L6 LINK digital networking for multi-speaker setups
800-watt, 2-way, bi-amped speaker system
Multi-band feedback suppression
On-board accelerometer and pole-mount sensors
Virtual Tilt-back projects speaker's output upwards in backline mode
Tour-grade plywood enclosure with M10 suspension points
Order now and your total audio solution will be at your door in days.
SPECIFICATIONS
StageSource L2t Acoustic Guitar Amp / Loudspeaker
AcousticalSystem Type: 0", 2-way, bi-amplified loudspeaker system
Frequency Range (-10dB): 44Hz to 19kHz, (Reference/P.A. Speaker Mode, free-field)
Frequency Response (±3dB): 51Hz to 18kHz, (Reference/P.A. Speaker Mode, free-field)
Maximum SPL Output: 128dB peak @ 1 meter (unweighted, measured indoors with music program material)
Coverage Pattern (-6dB): 100 horizontal x 50 vertical
Directivity Factor (Q): 9.2 (averaged 1kHz to 16kHz)
Directivity Index (DI): 9.6dB (averaged 1kHz to 16kHz)
Crossover Frequencies: LF to HF Crossover - variable, 2.2kHz to 7.0kHz (Speaker Mode dependent)
Low-Frequency Transducer: 10" extended range woofer, 2" diameter voice coil, 4Î impedance
High-Frequency Transducer: 1" exit compression driver, 1.4" diameter voice coil and diaphragm, 8Î impedance
Electrical - Rear Panel
Input Types: Line-level XLR-1/4", balanced Stereo RCA, unbalanced L6 LINK XLR
Input Impedance: 100 kÎ balanced 20 kÎ balanced N/A
Max Input Levels: +20dBu +16dBV N/A
Onset of Limiting: +6dBu input (Reference/P.A. Speaker Mode, Master Level control at center-detent)
-6dBu input (Reference/P.A. Speaker Mode, Master Level control at maximum)
Output Types: Balanced Loop Thru XLR Balanced Mix Out XLR L6 LINK XLR
Output Impedances: Source-dependent 680Î balanced N/A
Controls: Feedback Suppression On/Off/Mode, Master Level, Speaker Mode
Indicators: Signal Present/Clip, Feedback Suppression On/Off/Mode, Limit, 6x Speaker Mode, L6 LINK Status
Electrical - Side PanelInput Type: 2x mic/instrument XLR-1/4", balanced
Input Impedance (each input): 2.63 kÎ balanced (Pad = 0dB), 23.7 kÎ balanced (Pad = 20dB)
Gain Range (each input): -infinity to +57dB (Pad = 0dB); -infinity to +37dB (Pad = 20dB)
Max Input Level: +25dBu (Gain at minimum ˜on' position, 20dB pad on)
Controls:
2x Gain, 20dB Pad, LF Level, MF Freq & Level, HF Level, Mod Level, Reverb Level, Feedback Suppression On/Off/Mode, 1x Dual Mono/Stereo Link Mode, Acoustic Modeling Amount, On/Off
Indicators: 2x Signal Present/Clip, 2x Feedback Suppression On/Off/Mode, 1x Acoustic Modeling On/Off
Digital Signal ProcessingSpeaker Modes: Reference/P.A., Playback, Floor Monitor, Keyboards, Acoustic Guitar, Electric Guitar
On-board Effects: Reverb, Modulation, Feedback Suppression, Acoustic Modeling
Transducer Protection: Excursion limiting, thermal limiting
Digital Networking: L6 LINK intelligent speaker networking system
Sensors: Speaker orientation, pole sensor, power amp temperature, power supply, temperature
Power Amplification and Supply
Output Channel: HF LF
Power Amplifier Type: Class AB Class D
Peak Output Power1: 175 watts 655 watts
Power Supply Voltage Range: 100 - 240 VAC, ± 10%, 50/60Hz , automatic voltage selection
Power Consumption: 250 watts (1/8th power)
Cooling: Digitally controlled, variable-speed 50 mm fan
Protection: Output overcurrent, overtemperature, DC fault
1 1kHz sine wave input, 1% THD+N unweighted into the nominal load impedance, single channel driven, before the onset of limiting.
Mechanical
Enclosure: 15 mm enclosure, 18 mm baffle, multi-ply hardwood, textured black paint, bass, reflex design
Floor Monitor Upward Angle: 60 using kickstands, 30 using handle
Suspension Points: M10 x 1.5 threaded inserts, qty: 4
Pullback Point: M10 x 1.5 threaded insert, qty: 1
Grille: 18-gauge perforated steel, black powder coat finish
Pole Cup: 35 mm pole cup with sensor
Dimensions (HxWxD): 23.75" x 12.25" x 12.25"
Weight: 39.1lb
Custom Guitar's Friend Gold Coverage
Gold Coverage goes above and beyond the manufacturer's warranty to protect your gear from unexpected breakdowns, accidental damage from handling
and failures. This plan covers your product for one, two, three or up to five years from your date of purchase, costs just pennies per day and gives you a
complete "no-worry" solution for protecting your investment.
Gold Coverage Includes:
Unexpected and unintentional spills, drops and cracks
Normal wear and tear
Power surges
Dust, internal heat and humidity
Other plan features include:
For products over $200, No Lemon Policy applies. If it fails for the same defect 3 times, it is replaced on the 4th breakdown. (Does not apply to failures due to drops, spills, and cracks)
For products under $200 experiencing the above failures, a Custom Guitar's Friend gift card will be issued for the full price of the product + tax.
Shipping fees covered if required for repair or replacement
Plans are transferable in the event merchandise is sold
Plans are renewable on new gear
*Limitations and exclusions apply. See terms and conditions for program details
Term for New Gear begins on date of purchase but does not replace the store return policy or manufacturer coverage.
Displaying reviews 1-8
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I was romanced by the claim of 830 watts. That sounded good for a one man or duo show. When I got it,there was barely adequate power compared to my Fishman products. But I sent it back because the threshold for piezo pickups was way to high. I had to use a preamp with it to get any volume. This is bad for an amp that claims to be an Acoustic amp.
Line 6 StageSource L2t Acoustic Guitar Amp / Loudspeaker
.Can't refute what the reviewer from Sioux City, Iowa said; this unit is not as loud as one might think. It's certainly loud enough for my basement, but in performance you might want to daisy-chain it with the L2M.
The Acoustic Modelling is just so-so. To me, it does add *some* body to a bridge transducer signal, which is far better than nothing. But please don't expect your thinline acoustics or transducer equiped electrics to sound like a Taylor 714 when you activate the Acoustic Modelling feature.
If you plug directly into the L2T, it seems like my guitar volume is not well respected; I have to crank up the guitar's volume knob past 30% before the L2T picks it up.
One of the monitor positions somewhat hides the Master volume/limit dial, so for that dial be prepared to set it and forget it.
No L6 Link cable included. For the price tag, it'd be nice if they included one.
The value I'm getting from the L2T is to have a more true sound coming out of my POD HD500.
Line 6 StageSource L2t Acoustic Guitar Amp / Loudspeaker
.First off, let me say that I rarely submit reviews, and the fact that I'm even writing this speaks to the strength of this active speaker. I'm a gigging musician, and this is one of the most versatile pieces of gear I own. I can use it as a single solution PA for coffeehouse gigs singing with my acoustic guitar, as well as a monitor with my Helix with my band (we play hard rock and country mainly.) It took the place of three pieces of gear I used to have to cart around (an acoustic amp, an electric guitar amp, and a PA speaker.) Don't get me wrong, the bose L1 is still great for coffeehouse gigs, but this Line 6 L2T is more balanced in PA mode and I'll be saying goodbye to my L1 soon.
Line 6 StageSource L2t Acoustic Guitar Amp / Loudspeaker
.Great IF you don't need phantom power. It begs the question: "Why make such a fantastic high end amp with great specs if it won't phantom power the best input pickups and mics with the best specs, i.e those that take phantom power right out of the box." I am a Pro musician into high end sound. I got SO excited about this amp until I found out that my AKG c411 contact condenser AND DPA headset condenser won't fly with it. So, I stick with my Genz Benz. Also 2 sweepable and true parametric EQ's would be better. One to precisely reduce the resonate freq. and one to precisely scoop the midrange. It would also be great if it allowed some sort of USB editing and real time control of FX parameters.
Line 6 StageSource L2t Acoustic Guitar Amp / Loudspeaker
.I was looking for a back up system to run guitar straight into a PA. I liked the tone so much I used it instead of my amp.
Line 6 StageSource L2t Acoustic Guitar Amp / Loudspeaker
.I've had the opportunity to use this Line 6 FRFR system now for a few weeks and I have to say, I'm impressed. Yes I've still got my tube amps, however, after using this for band practices, I don't see me hauling them around any longer. I'm using this with my Pod HD500X for now until the Helix comes in that I have on order. The HD500X sounds simply fantastic through this so I can't wait for the Helix. I've also run my Eleven Rack through this with great results. The power is superb for a guitar rig, it's SUPER loud and easily cuts through the mix. I'm running the L2t with an L2m in a stereo setup - setup is simple with a couple AES/EBU cables and the sounds and power is fantastic, hard to go wrong here.
Line 6 StageSource L2t Acoustic Guitar Amp / Loudspeaker
.I used this product with another acoustic amp. Hooked up with smart phone and got crisp and loud sound for the party!
Line 6 StageSource L2t Acoustic Guitar Amp / Loudspeaker
.Great for solo performances
build quality is good
excellent acoustic guitar amp
vocals are crisp
Line 6 StageSource L2t Acoustic Guitar Amp / Loudspeaker
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